Wednesday, May 20, 2020
The Production of a Manga Culture in France a...
THE PRODUCTION OF A ââ¬Å"MANGA CULTUREâ⬠IN FRANCE: A SOCIOLOGICAL ANALYSIS OF A SUCCESSFUL INTERCULTRAL RECEPTION Olivier VANHEE Communication à la Confà ©rence Internationale Asia Culture Forum 2006 Mobile and Pop Culture in Asia Gwangju, Corà ©e, octobre 2006 Introduction Manga and anime are now part of the cultural habits of different generations of French readers, and they are a major cultural space where images and meanings about Japan and Asia circulate. From the end of the 1970ââ¬â¢s, intercultural relations with Japan developed mainly through this Japanese media culture1. The success of manga and anime contributed to a strong interest in different aspects of Japanese culture, but there are still few studies of this successful interculturalâ⬠¦show more contentâ⬠¦In a second moment, at the turn of the century, the sophisticated cultural capital accumulated by fans became more visible and produced new forms of legitimacy for manga, thanks to several factors: fansââ¬â¢ ââ¬Å"professionalizationâ⬠, the viability of the manga and anime markets, the opportunities offered by new participatory media technologies, the blurring of traditional cultural hierarchies. A whole set of competences was involved in the reception of manga, and the process of its legitimization took multiple forms. 1. Media panicâ⬠and underground fan organization in France between 1988 and 1997 The ââ¬Å"manga boomâ⬠in France was largely based on the success of some anime on French private TV channels engaged in a fierce competition to attract young audiences with cheap programs, between 1988 and 1997: Saint Seyia, Dragon Ball, Hokuto no Ken, Sailor Moon were broadcasted on the major French commercial channel, ââ¬Å"TF1â⬠; Captain Tsubasa, Kimagure Orange Road on ââ¬Å"La Cinqâ⬠, a private channel owned by Silvio Berlusconi. An increase in mangas popularity has taken place mostly since 1994-1995, when the original manga linked to these popular anime were published. Manga was then visible as a distinct cultural product. Previously, since the middle of the 1970ââ¬â¢s, there had been anime on French TV in the first programs targeting
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